Tim Hill, together with Jonathan Cooke (electronics) presents two short sound bursts from home in Somerset. In the first, following the Thursday night ‘Clap for Carers’ he explores what he calls ‘expressive noise’, how we use sound in rituals, celebration and protest. The second introduces the electro-acoustic trio Swine, based around the sound sculptures of Michael Fairfax, in which Tim plays treated sax.
Tim Hill is a musician and artist often creating outdoor celebrations, shows and music. Inspired by encountering and then working for the pioneering arts company Welfare State International, he researches traditions of outdoor ritual and celebration, processions, street music and outdoor noise. Tim has played with samba bands around Stonehenge and on the back of trucks at Notting Hill carnival, led giants through the streets of London, created Olympic Torch events, cooked celebratory feasts, written wassail songs, and led funeral services. Tim also plays a wide variety of music from folk to improvised noise. With the Mellstock Band he recreates the English rural music of the 18th and 19th centuries, appearing in many TV and film productions including the classic BBC Pride and Prejudice. He leads the street band Tongues of Fire, noise trio The Noise Eating Monsters and is part of the Bristol improvised music scene
Swine’s gothic soundworld is centred around the extra – ordinary sound of Michael Fairfax’s sound sculptures. These instruments are hewn from trees, a family of beautiful stringed instruments, both elemental and evocative. Inspired by the Somerset landscape and ideas of sunken worlds and drowned cities they create organic, improvised sound world of tides, swirls, swamps. of geologies of noise blurring inner and outer landscapes.
The Ghost Horn from Rag and Bone on Vimeo.
"Tim is an inspirational gifted musician and energetic band leader who knows viscerally the root and soul of his art, both in its English and World context"
John Fox, founder Welfare State International"An agile and imaginative soloist… he plays with a visceral power that is hard to resist"
www.thejazzmann.com"Muscular, well developed playing... somewhere between Johnny Hodges and Dudu Pukwana"
Phillip Clarke, The Wire"Tim Hill creates engaging and powerful brass-based music, fresh, bold with a distinctive signature.It is hard to think of many composers or musicians who share such a passion for bringing such a variety of rich but often forgotten seams of musical history into a contemporary framework"
Simon Chatterton, Director 101 outdoor arts space.“Referencing the collective shamanic voodoo of Sun Ra and Albert Ayler’s mystical shrieks and shronks, they fire up an unholy modal roustabout of a party. Blindingly good. 5/5”
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