Two extraordinary days of sound art and experimental music solely at Modern Art Oxford.

Tickets: Pay What You Decide

// UPDATE: online tickets now SOLD OUT, there will be tickets on the door //
 

 

In December, the wonderful world of audiograft returns after last year’s online festival.

 

This year the festival takes place in the basement of Modern Art Oxford, two wondrous days of diverse sonic performances that extend the limits and boundaries of what constitutes an instrument, a composition, and performance. 

 

On Thurs 01/12 Judith Hamann will perform works for cello and humming, the new duo of Clara de Asís and David Lacey explore cyclical structures for percussion and electronics, and Ryoko Akama will activate the space with her array of electronic contraptions.

 

On Fri 02/12 a new group, convened especially for audiograft 2022, consisting of the artists and musicians, Ryoko Akama, Anna Jane Houghton, Sharon Phelan, Catherine Ross, and Beth Shearsby, will perform a new composition by Tim Parkinson, plus solo performances by Rob Lye and Beth Shearsby.  

 

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audiograft is curated by the saru (sonic art research unit) at Oxford Brookes University and co-promoted by OCM

 

For venue access information please see https://modernartoxford.org.uk/faqs

 

Sonic Art Research Unit logo
Judith Harman setting up for a performance
Stringing the Matrix performance
audiograft poster